Go to content Go to navigation Go to search Change language

Home>Collection & Louvre Palace>Curatorial Departments>Bowl

Work Bowl

Department of Decorative Arts: 18th century: rococo

Can't play the medias? Download Flash Player.

Écuelle

© Musée du Louvre/M. Beck-Coppola

Decorative Arts
18th century: rococo

Author(s):
Barbier Muriel

The Louvre possesses several silver bowls. All are different in terms of workmanship and date, but this one stands out for its sobriety. The hallmarks indicate that it was made at the height of the rocaille period, and it is attributed to Thomas Germain, the leading silversmith of the time, whose repertoire included several models of tureens.

The use of bowls

Bowls are a case apart among objets d'art. Never considered tableware, they were used solely for drinking broth at breakfast. The user drank by lifting the bowl to his lips. Bowls were generally accompanied by a tray or stand, to make them easier to use.

An extremely sober work

Smooth and shallow, the body of the bowl has two handles, each formed by a horizontally coiled snake. The equally smooth, slightly domed lid is decorated with a central rosette of spiral fluting and reeding. At the center of the rosette is a circular handle, the vertically coiled serpent of which is similar to those of the handles on the sides: the three serpents are treated identically, with fine silver striations representing the scales. With the rosette, the serpents are the piece's sole ornamentation. This extremely elegant bowl illustrates the changing shape of this kind of object: compared to that of Louis XIV's son, the Grand Dauphin, this one is much flatter and less ornate.

The attribution to Thomas Germain

However, if we compare this bowl to the one made by Germain for Cardinal da Motta at the same period, the same difference is evident. The bowl is much more austere than that of the cardinal, with its elaborately natural decoration. The attribution to Thomas Germain is based on the hallmark and on the piece's purity of form. The bowl reveals another facet of the artist's talent and perhaps another approach, designed for a less wealthy clientele. This would explain its simplicity and the absence of any coat of arms.

Bibliography

Vingt ans d'acquisition du Musée du Louvre 1947-1967, Paris, Editions de la Réunion des musées nationaux, 1967, p. 78.

Technical description

  • Attribué à Thomas GERMAIN (vers 1673 - 1748)

    Écuelle

    1733 - 1734 (?)

    Paris

  • Argent

    H. : 9 cm. ; L. : 30 cm.

  • Don de David David-Weill, 1946 , 1946

    OA 9435

  • Decorative Arts

Practical information

The Louvre is open every day (except Tuesday) from 9 a.m. to 6 p.m.

Night opening until 9:45 p.m. on Wednesdays and Fridays
 
Closed on the following holidays: January 1, May 1, December 25
 
Musée du Louvre, 75058 Paris - France
Métro: Palais-Royal Musée du Louvre (lines 1 and 7)
Tel.: +33 (0)1 40 20 53 17
 

Buy tickets


Additional information about the work

Hallmarks:Maître: Thomas Germain; charge et décharge: Paris 1732-1738; maison commune: 1733-1734; petite garantie: Paris depuis 1838