Go to content Go to navigation Go to search Change language

Home>Collection & Louvre Palace>Curatorial Departments>Head of a horseman, known as the "Rampin Horseman"

Work Head of a horseman, known as the "Rampin Horseman"

Department of Greek, Etruscan, and Roman Antiquities: Archaic Greek Art (7th-6th centuries BC)

Tête de cavalier

© 2006 Musée du Louvre / Daniel Lebée et Carine Deambrosis

Greek, Etruscan, and Roman Antiquities
Archaic Greek Art (7th-6th centuries BC)

Author(s):
Astier Marie-Bénédicte

The Rampin Horseman is a masterpiece of Archaic art, which blends Attic seriousness with the rich decorative tradition of eastern Greece. The head, which is original, is placed on a mold taken from a fragmentary equestrian group in the Acropolis Museum in Athens. The identity of the horseman is uncertain. We appear to be in the presence of a hero or a member of the Athenian aristocracy-unless the crown of leaves that he wears is a victory prize awarded in one of the Panhellenic games.

The Rampin Horseman

This male head, which was found on the Acropolis in 1877, was sculpted around 550 BC. It was purchased by Georges Rampin, who left it to the Louvre in 1896. Ten years earlier, a body of a horseman and fragments of a horse had been found on the Acropolis; they were excavated from a ditch that was dug to hold statues that were broken during the sack of Athens by the Persians in 480 BC. It was not until 1936 that the English archaeologist Humphry Payne connected this head with the equestrian group in the Acropolis Museum in Athens (molds of the group have been added to the Louvre's presentation of the head). The asymmetrical neck, which is unusual in sixth century BC sculpture, is explained by the fact that the group is thought to have comprised two horsemen forming a pair.

An uncertain identity

The identity of the horseman is uncertain. For a long time, the hypothesis of a second horseman encouraged the notion that it was dedicated to Hippias and Hipparchus, the sons of Pisistratus, whose names predestined them to horseback riding. Horses (in Greek, hippos) were a privilege reserved for members of the aristocracy. The monument would have been erected after the return of the tyrant to Athens in 546 BC. It was thus supposed that the group was a depiction of Castor and Pollux-equestrian heroes frequently pictured on vases between 550 and 510 BC-without necessarily ruling out the Dioscuri or the Pisistratidae as subjects.
An examination of the fragments has shown that they belonged to other horses, disproving these hypotheses. If this is an ex-voto, then it would not feature two people but one-the Rampin Horseman was one among many such offerings dedicated on the Acropolis by horsemen. They showed the winner in a horse race cheered by the crowd, which he acknowledges by a turn of his head. This new interpretation would explain the presence of a crown of lovage in the horseman's hair; this species of wild celery was used to crown winners in both the Nemean Games and the Isthmian Games, which were held in Corinth.

A masterpiece of Archaic Athenian art

The execution of the Louvre's head is masterful. It is sometimes attributed to the "Rampin Master," the sculptor of the Athens kore wearing a peplos (530 BC; Acropolis Museum). The two pieces feature the same Attic concept of the face: the triangular structure is framed by high cheekbones and a pointed chin, and the face is welcoming, animated by almond-shaped eyes and a gentle smile. Nevertheless, the Rampin Horseman blends sobriety with richly decorative hair ornamentation. The thickness of the beads, the fringe consisting of small rolled plaits, and the beaded work on the beard show the influence of eastern Greece, which spread to Athens via Ionian immigrants fleeing Asia Minor and the Persian threat. Red and black polychrome, partially preserved, adds to this sense of refinement.

Bibliography

M. Hamiaux, Les Sculptures grecques, I, 2e édition, Paris, 2001, p. 88-89, n 80
E. Schneider, Untersuchungen zum Körperbild attischer Kuroi, Möhnesce, 1999, p. 252-255
B. Holtzmann & A. Pasquier, L'Art grec, manuels de l'Ecole du Louvre, Paris, 1998, p. 132-133
F. Prost, "Notes de sculpture grecque, I. La barbe du cavalier Rampin", TOPOI, 8, 1998, p. 9-29
I. Trianti, To Mouseio Akropoleôs, Athens, 1998, p. 183-184, fig. 192-193
M.A. Eaverly, Archaic Greek Equestrian Sculpture, Ann Arbor, 1995, p. 21-22, p. 73-78, n 1, pl. 1-4
Fr. Croissant, Les Protomès féminines archaïques : recherches sur les représentations du visage dans la plastique grecque de 500 à 480 avant J.-C., Bibliothèque des Ecoles Françaises d'Athens et de Rome, 250, 1983, p. 74-75
A. Hermary, "Images de l'apothéose des Dioscures", Bulletin de Correspondance Hellénique, 102, 1978, p. 74-75
M. Brouskari, Musée de l'Acropole. Catalogue descriptif, Athens, 1974, p. 57-58, n 590
J. Kleine, Untersuchungen zur Chronologie der attischen Kunst von Peisistratos bis Themistocles, Istanbuler Mitteilungen, suppl. 8, 1973, p. 36-40
W. Deyhle, "Meisterfragen der archaischen Plastik Attikas", Mitteilungen des Deutschen Archäologischen Instituts. Athenische Abteilung, 84, 1969, p. 1-10
C. Tsirivaku-Neumann, "Zum Meister der Peploskore", Mitteilungen des Deutschen Archäologischen Instituts. Athenische Abteilung, 79, 1964, p. 114-126
P. de La Coste-Messelière, "Les corès de l'Acropole", Journal des Savants, 1942, p. 26-31.
A. Schrader, W.H. Schuchhardt & E. Langlotz, Die archaischen Marmorbildwerke der Akropolis, Francfort-sur-le-Main, 1939, p. 212-225, fig. 210-248, pl. 134-137
A. Rumpf, "Endoios. Ein Versuch", Critica d'Arte, 3, 1938, p. 41-48, pl. 29, 1 ; 31, 5
H. Payne & G.M. Young, Archaic marble sculpture from the Acropolis, Londres, 1936, p. 6-9, pl. 11 a-c, pl. 124, pl. 133, 3-4, fig. 1 d-e
H. Lechat, "La tête Rampin. Marbre attique du VIe siècle avant notre ère (Musée du Louvre)", Monuments et Mémoires. Fondation Piot, 7, 1900, p. 143-151, pl. 14

Technical description

  • Rampin Master

    Tête de cavalier

    Vers 550 avant J.-C.

    Provenance : Acropole d'Athènes

    Fabrication : Athènes

  • Marbre insulaire, traces de polychromie : peinture rouge pour les cheveux, la moustache, la barbe et l'iris, noire pour la pupille. Reste d'une pointe métallique au sommet du crâne

    H. : 27 cm.

  • Legs G. Rampin, 1896 , 1896

    Ma 3104

  • Greek, Etruscan, and Roman Antiquities

    Denon wing
    Lower ground floor
    Pre-Classical Greece
    Room 1, temporarily closed to the public

Practical information

The Louvre is open every day (except Tuesday) from 9 a.m. to 6 p.m.

Night opening until 9:45 p.m. on Wednesdays and Fridays
 
Closed on the following holidays: January 1, May 1, December 25
 
Musée du Louvre, 75058 Paris - France
Métro: Palais-Royal Musée du Louvre (lines 1 and 7)
Tel.: +33 (0)1 40 20 53 17
 

Buy tickets