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The Louvre produces press releases and kits (Acrobat® PDF format) relating to the collections, temporary exhibitions, and events in the Auditorium.

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visuel-presse_la-fabrique-des-saintes-images

Making Sacred Images. Rome-Paris, 1580-1660


The great reform movement that shook the Church in the sixteenth century comprised a profound reflection on the nature of sacred images, fiercely attacked by the Protestants.
With some 85 works (prints and drawings, paintings, objets d’art, sculptures), “Making Sacred Images” aims to explore the complex issues at the heart of the religious art created by the greatest seventeenth-century painters, sculptors, and architects, such as Caravaggio, Annibale Carracci, Guido Reni, Gian Lorenzo Bernini, and Pietro da Cortona in Rome, and Simon Vouet, Eustache Le Sueur, Philippe de Champaigne, or the Le Nain brothers in Paris.

visuel presse_thraces

The Saga of the Thracian Kings. Archaeological Discoveries in Bulgaria


Home to Orpheus and various legendary kings featured in Homer, Thrace is still a little-known region whose splendors are now being slowly revealed thanks to recent archaeological research.
During the classical period there emerged a new regional power, the Odrysian kingdom, on the edges of the Greek world and the Persian Empire. Numerous graves of kings and aristocrats uncovered in recent decades have yielded ceramic, bronze, and golden furnishings that testify to the wealth of Thrace. Located between the Black Sea and the Aegean Sea, Thrace was stimulated by its multifarious contacts with surrounding civilizations. This exhibition will explore the reality and complexity of the Odrysian kingdom through artifacts from Bulgarian museums.

visuel_presse_new-frontier

American Encounters: The Simple Pleasures of Still Life


Co-organized by the Musée du Louvre, the High Museum of Art, the Crystal Bridges Museum of American Art, and the Terra Foundation for American Art, the exhibition “The Simple Pleasures of Still Life” explores the rise of still-life painting in 19th-century America. In the wake of the exhibitions on landscape, genre painting, and portraiture, this exhibition provides a new opportunity to foster dialogue on American painting.
Featuring 10 artworks from the collections of the four partner institutions, this final exhibition follows on from the previous ones to illustrate how American painters like Raphaelle Peale, Martin Johnson Heade, and William Michael Harnett adapted European models to their time and country, and thus contributed to the creation of a national voice.

IMG_MEA_Table de Teschen

New Donation Campaign for the Acquisition of a “Work of Major Heritage Value”


In the wake of the Tous mécènes ! (Become a patron!) donation campaigns launched by the museum in 2010 for a painting by Cranach, in 2011 for the restoration of two treasures from Cairo, in 2012 for the acquisition of two magnificent ivory statuettes thought lost, and in 2013 for the restoration of the Winged Victory of Samothrace, the Louvre is once again appealing to the generosity of the general public to raise one million euros to add to its national collection with the purchase of the famous Teschen Table, a masterpiece of 18th-century decorative arts and monument commemorating a key moment in European history.

Medieval Morocco. An empire from Africa to Spain


This major exhibition, presented by the Louvre in association with the FNM, Morocco’s national museum foundation, encourages a reassessment of the period from the eleventh to the fifteenth centuries, when the civilization of Western Islam was at the height of its glory, as much in terms of its artistic production as its place in history. A succession of dynasties - Almoravid, Almohad and Marinid - fashioned a cultural and political space centered on Morocco, gaining control of an empire stretching from sub-Saharan Africa to Andalusian Spain. This empire’s influence, unifying for the first time Islamic communities in the West, was felt as far away as the Near East. Bringing together nearly 300 works, the exhibition includes many of the most beautiful examples of this period’s achievements in areas such as architectural decoration, textiles, ceramics and calligraphy, illustrating this long and complex history, both essential to understanding contemporary Morocco and the very source of its modernity.

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