The Louvre produces press releases and kits (Acrobat® PDF format) relating to the collections, temporary exhibitions, and events in the Auditorium.
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New donation campaign for the restoration of the Winged Victory of Samothrace
The great conservation project for the Winged Victory of Samothrace begins in September 2013. The Louvre launches a new campaign “Tous mécènes !” (All Donors!) on September 3, day on which the monument will be removed from the public eye. The goal will be to raise one million euros before the end of the year to help the Museum restore in entirety the monument’s splendour.
Published on Sep 3, 2013
Conservation treatment of the Winged Victory of Samothrace and its monumental staircase
The great project to conserve the Winged Victory of Samothrace and the Daru staircase where it is showcased will start on September 3, 2013. It will last over a year and a half and entail an exceptional spatial rearrangement; the Winged Victory will not be visible to the public from September 3, 2013 to Summer 2014. This major undertaking, with a budget of four million euros, has received the support of Nippon Television Holdings, F. Marc de Lacharrière (Fimalac) and Bank of America Merrill Lynch Art Conservation Project, with a contribution of three million euros. The Louvre Museum wishes to open the possibility for all to contribute to this ambitious project through the “Tous mécènes !” (All Donors!) campaign, in order to raise the remaining one million euros necessary to complete the project.
The Louvre invites Robert Wilson. Living Rooms
Some forty years after he first created a sensation on the French theater scene with Deafman Glance, Robert Wilson is the Louvre’s latest guest curator. No mere retrospective or remembrance, this event marks an unprecedented collaboration between the world’s quintessential museum and the artist who, in the words of Louis Aragon, is “what we, from whom Surrealism was born, dreamed would come after and go beyond us.”
Published on Oct 31, 2013
Birth of a Museum. Louvre Abu Dhabi
Louvre Abu Dhabi is unveiling the best of its new collection for the first time in France; more than one hundred and sixty of the finest masterpieces already acquired by the UAE museum will be presented in May in Paris, during a major exhibition entitled "Birth of a Museum".
Louvre Abu Dhabi, which will be opening in December 2015, will be the first universal museum created in the Middle East, a region at the crossroads of civilizations. Its collection of old and contemporary works from different countries has been gradually growing since 2009 with each new acquisition. The exhibition will enable the French public to get a preview of the cultural wealth of the collection of the future museum and also to grasp the architectural and cultural project.
Context, architectural design, and ambition - Louvre Abu Dhabi
The Emirate of Abu Dhabi has drawn on the expertise of the French museum world to create a major new art museum. In a joint agreement signed in 2007, the governments of the United Arab Emirates and France decided to create a universal museum, bearing the name Louvre Abu Dhabi, scheduled to open in December 2015.
Published on Aug 19, 2014
Medieval Morocco. An empire from Africa to Spain
This major exhibition, presented by the Louvre in association with the FNM, Morocco’s national museum foundation, encourages a reassessment of the period from the eleventh to the fifteenth centuries, when the civilization of Western Islam was at the height of its glory, as much in terms of its artistic production as its place in history. A succession of dynasties - Almoravid, Almohad and Marinid - fashioned a cultural and political space centered on Morocco, gaining control of an empire stretching from sub-Saharan Africa to Andalusian Spain. This empire’s influence, unifying for the first time Islamic communities in the West, was felt as far away as the Near East. Bringing together nearly 300 works, the exhibition includes many of the most beautiful examples of this period’s achievements in areas such as architectural decoration, textiles, ceramics and calligraphy, illustrating this long and complex history, both essential to understanding contemporary Morocco and the very source of its modernity.
Published on Sep 9, 2014
Louvre - DNP Museum Lab. Masterpieces of the Ancient Greek World
Discover the Musée du Louvre's collection of ancient Greek art through digital displays developed as part of the Louvre - DNP Museum Lab project. These fun and interactive displays provide tools for better understanding and appreciating the works on display.
Published on Sep 29, 2014
The “Pyramid” Project (2014-2016). Improving visitor reception
In late June 2014, the Musée du Louvre embarked on what will be its biggest construction project in the coming few years. Inaugurated in 1989, I.M. Pei’s Pyramid was originally designed to receive 4.5 million visitors. Twenty years later, annual museum attendance has nearly reached the 10 million mark, with 70% of all visitors coming from abroad. An insufficient carrying capacity results in considerable inconvenience, such as long waiting lines and noise pollution, and makes it difficult for visitors to find their bearings.
As part of a wider effort to promote the Louvre’s collections, the Pyramid Project is the first phase of a large-scale project aiming to put the visitor back at the center of the museum and its permanent collections.
The entrances and reception areas under the Pyramid will be reorganized, moving logistical functions such as ticket sales, cloakrooms and restrooms to the Pyramid’s outermost perimeter in order to enhance visitor experience. With this project, conceived by museum staff and architectural firm Search, the iconic Hall Napoléon will revert back to its original function as visit planning area, regaining its grandeur and serenity without losing its architectural integrity.
Poussin and God
In spring 2015 the Musée du Louvre is showcasing the art of the seventeenth century with three exhibitions: two at the Louvre itself (“Poussin and God” and “Making Sacred Images”), the third, “Velázquez,” at the Grand Palais.
Nicolas Poussin (1594–1665) is the greatest French painter of the seventeenth century, considered by some as the greatest of all time. However, the artist, who was described during his lifetime as the “French Raphael,” is less well known today than Watteau, Delacroix, Monet, or Cézanne.
This exhibition, marking the 350th anniversary of the artist’s death, aims to introduce visitors to a little-known but particularly moving aspect of the art of this great French master: his religious painting.
Published on Jun 16, 2015
Making Sacred Images. Rome-Paris, 1580-1660
The great reform movement that shook the Church in the sixteenth century comprised a profound reflection on the nature of sacred images, fiercely attacked by the Protestants.
With some 85 works (prints and drawings, paintings, objets d’art, sculptures), “Making Sacred Images” aims to explore the complex issues at the heart of the religious art created by the greatest seventeenth-century painters, sculptors, and architects, such as Caravaggio, Annibale Carracci, Guido Reni, Gian Lorenzo Bernini, and Pietro da Cortona in Rome, and Simon Vouet, Eustache Le Sueur, Philippe de Champaigne, or the Le Nain brothers in Paris.
Published on Jun 16, 2015
The Saga of the Thracian Kings. Archaeological Discoveries in Bulgaria
Home to Orpheus and various legendary kings featured in Homer, Thrace is still a little-known region whose splendors are now being slowly revealed thanks to recent archaeological research.
During the classical period there emerged a new regional power, the Odrysian kingdom, on the edges of the Greek world and the Persian Empire. Numerous graves of kings and aristocrats uncovered in recent decades have yielded ceramic, bronze, and golden furnishings that testify to the wealth of Thrace. Located between the Black Sea and the Aegean Sea, Thrace was stimulated by its multifarious contacts with surrounding civilizations. This exhibition will explore the reality and complexity of the Odrysian kingdom through artifacts from Bulgarian museums.
Published on Jun 16, 2015
American Encounters: The Simple Pleasures of Still Life
Co-organized by the Musée du Louvre, the High Museum of Art, the Crystal Bridges Museum of American Art, and the Terra Foundation for American Art, the exhibition “The Simple Pleasures of Still Life” explores the rise of still-life painting in 19th-century America. In the wake of the exhibitions on landscape, genre painting, and portraiture, this exhibition provides a new opportunity to foster dialogue on American painting.
Featuring 10 artworks from the collections of the four partner institutions, this final exhibition follows on from the previous ones to illustrate how American painters like Raphaelle Peale, Martin Johnson Heade, and William Michael Harnett adapted European models to their time and country, and thus contributed to the creation of a national voice.
New Donation Campaign for the Acquisition of a “Work of Major Heritage Value”
In the wake of the Tous mécènes ! (Become a patron!) donation campaigns launched by the museum in 2010 for a painting by Cranach, in 2011 for the restoration of two treasures from Cairo, in 2012 for the acquisition of two magnificent ivory statuettes thought lost, and in 2013 for the restoration of the Winged Victory of Samothrace, the Louvre is once again appealing to the generosity of the general public to raise one million euros to add to its national collection with the purchase of the famous Teschen Table, a masterpiece of 18th-century decorative arts and monument commemorating a key moment in European history.
Published on Jun 16, 2015
The Louvre Introduces Admission with a Single Ticket
Over the past eighteen months, the Louvre has been implementing a new strategy to promote a more comprehensive and cohesive cultural offering, and in particular to create stronger links between temporary exhibitions and permanent collections.
In line with this strategy, as of July 1, 2015 the Louvre will adopt a simplified price list*, already in use in a number of national and international museums, with a single admission ticket giving access to collections and exhibitions. Free access conditions previously restricted to the permanent collections will be extended to exhibitions.
Published on Jul 3, 2015
: the Musée du Louvre’s Answer
Published on Jul 3, 2015
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