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IMG_MEA_Table de Teschen

New Donation Campaign for the Acquisition of a “Work of Major Heritage Value”


In the wake of the Tous mécènes ! (Become a patron!) donation campaigns launched by the museum in 2010 for a painting by Cranach, in 2011 for the restoration of two treasures from Cairo, in 2012 for the acquisition of two magnificent ivory statuettes thought lost, and in 2013 for the restoration of the Winged Victory of Samothrace, the Louvre is once again appealing to the generosity of the general public to raise one million euros to add to its national collection with the purchase of the famous Teschen Table, a masterpiece of 18th-century decorative arts and monument commemorating a key moment in European history.

Madrasa El Attarine, Fès, Maroc - 140 * 87 px

Medieval Morocco. An empire from Africa to Spain


This major exhibition, presented by the Louvre in association with the FNM, Morocco’s national museum foundation, encourages a reassessment of the period from the eleventh to the fifteenth centuries, when the civilization of Western Islam was at the height of its glory, as much in terms of its artistic production as its place in history. A succession of dynasties - Almoravid, Almohad and Marinid - fashioned a cultural and political space centered on Morocco, gaining control of an empire stretching from sub-Saharan Africa to Andalusian Spain. This empire’s influence, unifying for the first time Islamic communities in the West, was felt as far away as the Near East. Bringing together nearly 300 works, the exhibition includes many of the most beautiful examples of this period’s achievements in areas such as architectural decoration, textiles, ceramics and calligraphy, illustrating this long and complex history, both essential to understanding contemporary Morocco and the very source of its modernity.

La pyramide d’I.M. Pei

The “Pyramid” Project (2014-2016). Improving visitor reception


In late June 2014, the Musée du Louvre embarked on what will be its biggest construction project in the coming few years. Inaugurated in 1989, I.M. Pei’s Pyramid was originally designed to receive 4.5 million visitors. Twenty years later, annual museum attendance has nearly reached the 10 million mark, with 70% of all visitors coming from abroad. An insufficient carrying capacity results in considerable inconvenience, such as long waiting lines and noise pollution, and makes it difficult for visitors to find their bearings.
As part of a wider effort to promote the Louvre’s collections, the Pyramid Project is the first phase of a large-scale project aiming to put the visitor back at the center of the museum and its permanent collections.
The entrances and reception areas under the Pyramid will be reorganized, moving logistical functions such as ticket sales, cloakrooms and restrooms to the Pyramid’s outermost perimeter in order to enhance visitor experience. With this project, conceived by museum staff and architectural firm Search, the iconic Hall Napoléon will revert back to its original function as visit planning area, regaining its grandeur and serenity without losing its architectural integrity.

Dispositif Le Cratère d’Antée, un chef-d’œuvre de la céramique grecque

Louvre - DNP Museum Lab. Masterpieces of the Ancient Greek World


Discover the Musée du Louvre's collection of ancient Greek art through digital displays developed as part of the Louvre - DNP Museum Lab project. These fun and interactive displays provide tools for better understanding and appreciating the works on display.

Bactrian princess

Context, architectural design, and ambition - Louvre Abu Dhabi


The Emirate of Abu Dhabi has drawn on the expertise of the French museum world to create a major new art museum. In a joint agreement signed in 2007, the governments of the United Arab Emirates and France decided to create a universal museum, bearing the name Louvre Abu Dhabi, scheduled to open in December 2015.

Download press kit > pdf - 2.35 Mb

Published on Aug 19, 2014

Jeune Émir à l’étude

Birth of a Museum. Louvre Abu Dhabi


Louvre Abu Dhabi is unveiling the best of its new collection for the first time in France; more than one hundred and sixty of the finest masterpieces already acquired by the UAE museum will be presented in May in Paris, during a major exhibition entitled "Birth of a Museum".
Louvre Abu Dhabi, which will be opening in December 2015, will be the first universal museum created in the Middle East, a region at the crossroads of civilizations. Its collection of old and contemporary works from different countries has been gradually growing since 2009 with each new acquisition. The exhibition will enable the French public to get a preview of the cultural wealth of the collection of the future museum and also to grasp the architectural and cultural project.

The Winged Victory of Samothrace at the top of the Daru staircase Louvre Museum, Department of Greek, Etruscan and Roman Antiquities

Conservation treatment of the Winged Victory of Samothrace and its monumental staircase


The great project to conserve the Winged Victory of Samothrace and the Daru staircase where it is showcased will start on September 3, 2013. It will last over a year and a half and entail an exceptional spatial rearrangement; the Winged Victory will not be visible to the public from September 3, 2013 to Summer 2014. This major undertaking, with a budget of four million euros, has received the support of Nippon Television Holdings, F. Marc de Lacharrière (Fimalac) and Bank of America Merrill Lynch Art Conservation Project, with a contribution of three million euros. The Louvre Museum wishes to open the possibility for all to contribute to this ambitious project through the “Tous mécènes !” (All Donors!) campaign, in order to raise the remaining one million euros necessary to complete the project.

Daru staircase. Winged Victory of Samothrace

New donation campaign for the restoration of the Winged Victory of Samothrace


The great conservation project for the Winged Victory of Samothrace begins in September 2013. The Louvre launches a new campaign “Tous mécènes !” (All Donors!) on September 3, day on which the monument will be removed from the public eye. The goal will be to raise one million euros before the end of the year to help the Museum restore in entirety the monument’s splendour.

Donatello (Donato di Niccolò di Betto Bardi; Florence vers 1386-1466). Deux “Spiritelli” (de la Cantoria du Dôme), 1439

The Springtime of the Renaissance. Sculpture and the Arts in Florence, 1400-1460


Following upon major exhibitions devoted to masters of the High Renaissance—Leonardo da Vinci and Raphael—The Springtime of the Renaissance deals with the genesis of this major artistic and cultural movement, which first arose in Florence in the early years of the fifteenth century. Sculpture, an essential aspect of this rebirth, is the central focus of this exhibition. Some 140 works are presented, including several monumental ones, grouped into ten thematic sections. In addition to sculptures, the exhibition also features paintings, drawings, manuscripts, silver and gold pieces, and tin-glazed earthenware (majolicas).

Between land and sea. The extraordinary bestiary of the Roman mosaic of Lod


Remarkably conserved, this great mosaic was discovered in Lod in 1996 during the construction of a highway between Tel Aviv and Jerusalem. This unique pavement, decorating the floor of a house, presents abundant animal life inserted into geometric patterns. Presented in the majestic setting of the cour du Sphinx, in close proximity to the new spaces devoted to the Eastern Mediterranean Provinces of the Roman Empire, the Mosaic of Lod is exceptionally displayed at the Louvre Museum before returning to Lod and to the museum, currently under construction, that will house it.

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