passer le menu
Musée du Louvre logo, louvre.fr homepage

Overview
Curatorial Departments
Near Eastern Antiquities
Egyptian Antiquities
Introduction
Selected Works
Latest Acquisitions
Traveling Works
Works in Focus
Bibliography
Timeline
Maps
Research Centers
Greek, Etruscan, and Roman Antiquities
Islamic Art
Sculptures
Decorative Arts
Paintings
Prints and Drawings
Kaleidoscope
Databases


Home - Collection - Curatorial Departments - Egyptian Antiquities - Selected Works - Religious and Funerary Beliefs

Egyptian Antiquities : Religious and Funerary Beliefs

Great Sphinx of Tanis
Old Kingdom, c. 2600 BC
© R.M.N./Chuzeville
Enlarge (new window)
Technical information
Great Sphinx of Tanis
Old Kingdom, c. 2600 BC
Tanis
Sculpture in the round, granite
H. 1.83 m; W. 4.80 m; D. 1.54 m
Purchased 1826
A 23
Egyptian Antiquities
Interactive floor plans
Author(s)
Lili Aït-Kaci
1 2 3 4 ...next pagelast page
Back to list Send to a friend (new window) Print (new window)
Add to My Album
 

Great Sphinx of Tanis

The sphinx is a fabulous creature with the body of a lion and the head of a king. This one was successively inscribed with the names of the pharaohs Ammenemes II (12th Dynasty, 1929-1895 BC), Merneptah (19th Dynasty, 1212-02 BC) and Shoshenq I (22nd Dynasty, 945-24 BC). According to archaeologists, certain details suggest that this sphinx dates to an earlier period - the Old Kingdom (c. 2600 BC).
Description

Tanis


This is one of the largest sphinxes outside of Egypt. It was found in 1825 among the ruins of the Temple of Amun at Tanis (the capital of Egypt during the 21st and 22nd dynasties). This impressive stone sculpture with its precise details and polished surfaces is a work of admirable craftsmanship. The recumbent lion, with tense body and outstretched claws, gives the impression of being ready to leap. The shen hieroglyph sculpted on the plinth under each paw evokes a cartouche, confirming the royal nature of the monument.

Modifications


The legible inscriptions are all "usurpations", i.e. traces of subsequent modifications to the monument. The names of Merneptah (19th Dynasty) and Sheshonq (22nd Dynasty) are legible. The original texts (traces of which are still visible in places) were deliberately erased and replaced. It is therefore impossible to date this statue with certainty, especially as the face does not resemble any known, well-documented royal portrait. In view of this uncertainty, Egyptologists are divided: some date the sphinx to the 12th Dynasty, others to the 6th or even the 4th.

Shesep-ankh


The Greek word "sphinx", commonly used to refer to the Egyptian statues representing a lion with a human head, was not the original term. The appropriate Egyptian appellation for a statue or image of this kind was shesep-ankh ("living image"). The creature was a symbolic representation of the close relationship between the sun god (the lion's body) and the king (the human head), and was the "living image of the king", demonstrating his strength and his close association with Ra.
The sphinx was always positioned either as (recumbent) guardian and protector of places where gods appeared - such as the horizon, and temple entrances - or as (upright) defender of Egypt against hostile forces, whom he trampled underfoot.

Documentation
Christiane Ziegler, Les Statues égyptiennes de l'Ancien Empire, 1997, Réunion des musées nationaux p. 39
G. Andreu, M.-H Ruthscowskaya, L'Egypte ancienne au Louvre, 1997, Hachette, pp. 52 à 54
Nadine Cherpion, "En reconsidérant le grand sphinx du Louvre (A 23)", in Revue d'égyptologie, 1991, t. 42, pp. 25 à 41
Jean Leclant, Le Temps des pyramides, 1978, Gallimard, coll. "L'univers des formes", t. 1, p. 213
Jacques Vandier, Manuel d'archéologie égyptienne, 1958, Picard, t. 3, p. 56

1 2 3 4 ...next pagelast page
Back to list Back to top

Thematic Trail

Masterpieces of the Louvre – In Search of Ideal Beauty
On their first visit to the Louvre, people often want to see the museum’s three great ladies — the Venus de Milo, the Victory of Samothrace, and La Gioconda. On this guided tour, you can (re)discover these and other key works and reflect upon that indefinable notion of “masterpiece.”

All the thematic trails

Atlas Database

Base Atlas
© Musée du Louvre
Collection databases
View many of the 35,000 works on display, and consult the relevant technical information and accompanying commentaries by curators.

Resources

Explore the history of art and civilizations in the sections In-Depth Studies and A Closer Look. The Magazine takes a fresh, unconventional look at the museum and its collections.
In-depth studies
A closer look
Parallel