passer le menu
Musée du Louvre logo, louvre.fr homepage

Overview
Curatorial Departments
Near Eastern Antiquities
Egyptian Antiquities
Greek, Etruscan, and Roman Antiquities
Islamic Art
Sculptures
Decorative Arts
Introduction
Selected Works
Latest Acquisitions
Traveling Works
Works in Focus
Bibliography
Timeline
Maps
Research Centers
Paintings
Prints and Drawings
Kaleidoscope
Databases


Home - Collection - Curatorial Departments - Decorative Arts - Selected Works - 18th Century: Rococo

Decorative Arts : 18th Century: Rococo

Diamond, known as the "Regent"
1698 (found), 1704-06 (cut)
© R.M.N.
Enlarge (new window)
Technical information
Diamond, known as the "Regent"
1698 (found), 1704-06 (cut)
Golconda (India)
England (for the cut)
Diamond (140.64 metric carats)
W. 3.05 cm ; H. 2.89 cm ; D. 2.03 cm.
Purchased from Thomas Pitt, Governor of the fort of Madras, by the Regent Philippe d'Orléans for the French Crown in 1717. Former Crown Diamonds collection. Assigned to the Louvre Museum,1887.
MV 1017
Decorative Arts
Interactive floor plans
Author(s)
Barbier Muriel
1 2 3 4 ...next pagelast page
Back to list Send to a friend (new window) Print (new window)
Add to My Album
 

Diamond, known as the "Regent"

Discovered in 1698 in Golconda, India, this stone immediately attracted the interest of Thomas Pitt, the English governor of Madras. Cut in England, it was then purchased for the French Crown at the behest of the Regent Philippe d'Orléans in 1717. The Regent surpassed in beauty and weight all the diamonds known in the western world until that time. Even today, its flawless brilliance and perfect cut ensure that it is still considered the finest diamond in the world.
Description

How the "Regent" was acquired and then cut in England


Following its discovery in India in 1698, the stone was acquired by Thomas Pitt, Governor of Fort St George in Madras, for a very high price. The diamond weighed 426 carats before it was shipped to England in 1702 to be cut. This operation took two years, from 1704 to 1706, and produced several secondary stones, which were sold to Tsar Peter the Great. Performed by a jeweler by the name of Harris, this cut is the culmination of a technique possibly invented in Venice in the early seventeenth century: the brilliant cut. In this process, the angles, formed by the facets, are of a perfect cut, reflecting the light with matchless intensity and brilliance.

The acquisition of the diamond by Philippe d'Orléans


Taking advantage of the economic prosperity that developed in France under the influence of John Law, Philippe d'Orléans, regent from 1715 to 1723, persuaded the Regency Council to purchase the diamond on 6 June 1717. At the time, The Regent outshone all known diamonds in the western world, and by 1719 it had already tripled in value. Today, it is still considered the finest diamond in the world; its color is "of the first water", that is perfectly white and practically flawless. After the Regency, the gem remained one of the most precious of the Crown's treasures and adorned all the crowned heads of France.

The "Regent" and the royal succession


The Regent was worn for the first time by Louis XV at the reception of a Turkish embassy in 1721. It was then mounted temporarily on the king's crown for his coronation ceremony on 25 October 1722. Shortly after his marriage to Maria Leczinska on 5 September 1725, Louis XV began wearing the diamond on his hat, a habit he continued throughout his reign. For the coronation of Louis XVI, on 11 June 1775, a new crown was made similar to that of Louis XV, featuring The Regent on the front. Like his grandfather, Louis XVI sported the gem on his hat. Stolen in 1792, then found again the following year hidden in some roof timbers, the diamond was used as security on several occasions by the Directoire and later the Consulat, before being permanently redeemed by Napoleon Bonaparte in 1801. The First Consul used it to embellish his sword, designed by the goldsmiths Odiot, Boutet and Nitot. In 1812 it appeared on the Emperor's two-edged sword, the work of Nitot. Following changes in the ruling regime, the diamond was mounted successively on the crowns of Louis XVIII, Charles X and Napoleon III, and finally on the Grecian diadem of Empress Eugénie.

Documentation
MABILLE Gérard, Les Diamants de la couronne, Paris, Éditions Gallimard, Éditions de la Réunion des musées nationaux, 2001.
1 2 3 4 ...next pagelast page
Back to list Back to top

Thematic Trail

European Renaissance Decorative Arts
The Louvre collection of Renaissance decorative arts offers visitors an introduction to fifteenth-century Italian innovations, and to their diffusion and assimilation in other European countries.

All the thematic trails

Atlas Database

Base Atlas
© Musée du Louvre
Collection databases
View many of the 35,000 works on display, and consult the relevant technical information and accompanying commentaries by curators.

Resources

Explore the history of art and civilizations in the sections In-Depth Studies and A Closer Look. The Magazine takes a fresh, unconventional look at the museum and its collections.
In-depth studies
A closer look
Parallel