Go to content Go to navigation Go to search Change language

Home>Collection & Louvre Palace>Curatorial Departments>Empress Eugénie's Crown

Work Empress Eugénie's Crown

Department of Decorative Arts: 19th century

Couronne de haut de tête de l'impératrice Eugénie

© 1988 RMN / Pierre et Maurice Chuzeville

Decorative Arts
19th century

Barbier Muriel

For the Paris Universal Exposition of 1855, Napoleon III decided to impress the whole world by exhibiting the Crown diamonds, which he had reset for the occasion. Alexandre-Gabriel Lemonnier (circa 1808-1884) was chosen to produce the crowns of the Emperor and of the Empress with part of these stones. The crown of the Empress, now in the Louvre, exemplifies both the pomp of the Second Empire and the virtuosity of the period's jewelers.

An imperial crown

The shape of the Empress's Crown, typical of previous representations of imperial crowns, was conceived following a pattern already found on the Imperial Arms of the First Empire. The arches are formed by eight eagles alternating with long laurel leaves issuing from palmettes. A globe topped with a cross surmounts the arches. The eagle and palmette motifs are recurrent imperial symbols. The Emperor's crown is thought to have had the same shape but it is now lost.

2,480 diamonds and 56 emeralds

The eight eagle-shaped arches are made of chased gold, the others, in the form of palmettes, are composed of several diamonds with one larger diamond in the center. Each palmette is flanked with two emeralds. The arches join under a diamond globe set off with a circle and a half circle made of thirty-two emeralds and surmounted with a cross composed of six brilliants. A large part of the Crown diamonds were used for the Emperor's crown, while for the Empress's crown, they were employed in smaller numbers. The emeralds, on the other hand, were the property of the Emperor.

The creators of the crown

Following the London Great Exhibition of 1851, the jeweler Alexandre-Gabriel Lemonnier (circa 1808-1884) received the 'Médaille du Conseil' and the 'Légion d'Honneur' for his works and was appointed Jeweler to the Prince-President (the future Napoleon III). He supplied several jewels for the Emperor's wedding to Eugénie. Finally, in 1853, he was appointed Jeweler to the Crown. The overall structure of the Empress's crown was entrusted to the jeweler J.-P. Maheu while Lemonnier set the precious stones. Both men were awarded a silver medal for this piece at the Universal Exposition of 1855. The eagles were modeled by the brothers Fannière: Auguste, (1818-1900), the sculptor, and Joseph (1820-1897), the 'ciseleur' (engraver). These two artists, who were employed by the greatest Parisian goldsmiths, were also recompensed with a silver medal.


Catalogue d'exposition : "Nouvelles acquisitions du département des Objets d'art du Louvre 1985-1989", Paris, 1990, Éditions de la Réunion des musées nationaux, pp. 249-251

Technical description

  • Gabriel LEMONNIER, joaillier

    Couronne de haut de tête de l'impératrice Eugénie



  • Or ; 2 490 diamants ; 56 émeraudes

    H. : 13 cm. ; D. : 15 cm.

  • Ancienne collection des Diamants de la CouronneRestituée à l'impératrice en exil en 1876. Léguée par elle à la princesseMarie-Clotilde Napoléon, comtesse de WittAcquise en 1988 , 1988

    OA 11160

  • Decorative Arts

    Richelieu wing
    1st floor
    Elise Dosne-Thiers
    Room 550

Practical information

The Musée du Louvre, Tuileries Garden and Cour Carrée will remain closed until further notice.

All those who have purchased a ticket online will automatically receive a refund – no action is required. Due to the number of refunds we have to process, this operation may take up to three months.

Thank you for your understanding.

Buy tickets


See the related mini-site The Galerie d’Apollon